Version 2. Soprano Arias
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The complete Table of Contents begins on the next page Version 2. OPERA ARIAS LUDWIG VAN BEETHOVEN
Abscheulicher! Wo eilst du hin? (Fidelio)
VINCENZO BELLINI
Quì la voce sua soave (Mad Scene) (I Puritani)
Ah! Non credea/Ah! Non giunge (La Sonnambula)
GEORGES BIZET
Comme autrefois dans la nuit sombre (Les Pêcheurs de Perles)
ARRIGO BOITO
L’altra notte in fondo al mare (Mefistofele)
GIOVANNI BONONCINI ANDRE CAMPRA
Charmant papillon (Les Fêtes Vénitiennes)
ALFREDO CATALANI FRANCESCO CILEA
Io sono l’umile ancella (Adriana Lecouvreur)
FELICIEN C. DAVID Version 2. LEO DELIBES GAETANO DONIZETTI
So anch’io la virtù magica (Don Pasquale)
Ciascun lo dice (La Figlia del Reggimento)
Il faut partir (La Figlia del Reggimento)
Della crudel Isotta (L’ Elisir d’Amore)
Prendi, per me sei libero (L’ Elisir d’Amore)
O luce di quest’ anima (Linda di Chamounix)
Ardon gl’incensi (Mad Scene) (Lucia di Lammermoor)
Regnava nel silenzio/Quando rapito in estasi (Lucia di Lammermoor)
ANTONIN DVORÁK F. VON FLOTOW
Letzte Rose (The Last Rose of Summer) (Martha)
UMBERTO GIORDANO CHRISTOPH WILLIBALD GLUCK
Je cède à vos/D’une image (Iphigénie en Tauride)
Non, cet affreux/Je t’implore (Iphigénie en Tauride)
O malheureuse Iphigénie! (Iphigénie en Tauride)
O race/O toi qui prolongeas (Iphigénie en Tauride)
Cet asile aimable et tranquille (Orphee et Eurydice)
CHARLES GOUNOD
Amour, ranime mon courage (Romeo et Juliette)
Juliet’s Waltz Song (Je veux vivre) (Romeo et Juliette)
Version 2. GEORGE FRIDERIC HANDEL
Vegli pure/Tu la mia stella sei (Giulio Cesare)
ERICH WOLFGANG KORNGOLD FRANZ LEHÁR RUGGERO LEONCAVALLO PIETRO MASCAGNI
Voi lo sapete, o mamma (Cavalleria Rusticana)
JULES MASSENET
Obeissons quand leur voix appelle (Manon)
Version 2. GIACOMO MEYERBEER WOLFGANG AMADEUS MOZART
Per pieta, ben mio, perdona (Così fan tutte)
Una donna a quindici anni (Così fan tutte)
Mi tradi quell’alma ingrata (Don Giovanni)
Non mi dir, bell ‘idol mio (Don Giovanni)
Ach ich liebte, war so glücklich (Die Entführung aus dem Serail)
Durch Zärtlichkeit (Die Entführung aus dem Serail)
Martern aller Arten (Die Entführung aus dem Serail)
Welche Kummer/Traurigkeit ward (Die Entführung aus dem Serail)
Welche Wonne, welche Lust (Die Entführung aus dem Serail)
D’Oreste, d’Ajace hoin senoi tormenti (Idomeneo)
Deh vieni, non tardar (Le Nozze di Figaro)
Il capro e la capretta (Le Nozze di Figaro)
Version 2. WOLFGANG AMADEUS MOZART (CON’T) Venite, inginocchiatevi (Le Nozze di Figaro)
Bester Jüngling (Der Schauspieldirektor)
Da schlaegt des Abschieds Stunde (Der Schauspieldirektor)
Zum Leiden bin ich auserkoren/Du,du,du (Die Zauberflöte)
OTTO NICOLAI
Nun eilt herbei/Nichsts sei zu arg (Die Lustige Weiber)
JACQUES OFFENBACH
Elle a fui, la tourterelle! (Les Contes d’Hoffmann)
Les oiseaux dans la charmille (Les Contes d’Hoffmann)
GIOVANNI BATTISTA PERGOLESI AMILCARE PONCHIELLI GIACOMO PUCCINI
Butterfly’s Entrance (Madama Butterfly)
Version 2. GIACOMO PUCCINI (CON’T)
Sola, perduta, abbandonata (Manon Lescaut)
HENRY PURCELL
Shake the cloud from off your brow (Dido and Aeneas)
Thanks to these lonesome vales (Dido and Aeneas)
JEAN-PHILIPPE RAMEAU
Rossignols amoureux (Hippolyte et Aricie)
GIOACHINO ROSSINI
Di piacer mi balza il cor (La Gazza Ladra)
Sombre forêt-Selva opaca (Guillaume Tell)
Una voce poco fa (Il Barbiere di Siviglia)
BEDRICH SMETANA JOHANN STRAUSS
Audition Song (Spiel’ ich die Unschuld) (Die Fledermaus)
Ich lade gern mir Gäste ein (Die Fledermaus)
Klaenge der Heimat (Csardas) (Die Fledermaus)
Version 2. RICHARD STRAUSS
Großmächtige Prinzessin (Ariadne auf Naxos)
ARTHUR SULLIVAN
I cannot tell what this love may be (Patience)
Poor wand’ring one (Pirates of Penzance)
Were I thy bride (The Yeoman of the Guard)
When maiden loves (The Yoeman of the Guard)
PYOTR IL’YICH TCHAIKOVSKY
Tatiana’s Letter Scene (Eugene Onégin)
AMBROISE THOMAS
Oui, pour ce soir je suis reine/Je suis Titania (Mignon)
GIUSEPPE VERDI
Ecco l’orrido campo/Ma dall’arido stelo (Un Ballo in Maschera)
Morrò, ma prima in grazia (Un Ballo in Maschera)
La Vergine degli angeli (La sForza del Destino)
Version 2. GIUSEPPE VERDI (CON’T)
Madre, pietosa Vergine (La Forza del Destino)
Pace, pace mio Dio! (La Forza del Destino)
Una macchia (Sleepwalking Scene) (Macbeth)
Salce, salce (Willow Song) and Ave Maria (Otello)
Come in quest’ora bruna (Simon Boccanegra)
Ah! Fors’ e lui/Sempre libera (La Traviata)
Merce diletto (Bolero) (i Vespri Siciliani)
RICHARD WAGNER
Traft ihr das Schiff? (Senta’s Ballad) (Der Fliegende Holländer)
Einsam in trüben Tagen (Elsa’s Dream) (Lohengrin)
Mild und Leise (Liebestod) (Tristan und Isolde)
O was klag’ich um Ehe und Eid (Die Walküre)
Version 2. CARL MARIA VON WEBER
Einst träumte/Trübe Augen (Der Freischütz)
Wie nahte mir der Schlummer/Leise, leise (Der Freischütz)
Version 2. EARLY ITALIAN SONGS AND ARIAS EMANUEL ASTORGA PIER FRANCESCO CAVALLI SIMONA BENCINI ANTONIO CESTI GIOVANNI BONONCINI SEVERO DE LUCA GUILIO CACCINI FRANCESCO DURANTE ANTONIO CALDARA ANDREA FALCONIERI GIACOMO CARISSIMI CARLO FEDELI GIROLAMO ALESSANDRO FRESCOBALDI Version 2. BERNARDO GAFFI GIOVANNI BATTISTA PERGOLESI MARCO DA GAGLIANO FRANCESCO GASPARINI JACOPO PERI GIORDANI CHRISTOPH WILLIBALD GLUCK GIACOMO PERTI GIOVANNI LEGRENZI FRANCESCO PROVENZALE LEONARDO LEO PAOLO QUAGLIATI ANTONIO LOTTI RAFAELLO RONTANI FRANCESCO MANCINI SALVATOR ROSA BENEDETTO MARCELLO GIOVANNI BATTISTA MAZZAFERRATA ALESSANDRO SCARLATTI CLAUDIO MONTEVERDE GIOVANNI PAISIELLO Version 2. ANTONIO SECCHI
BMC Ophthalmology Research article TOZAL Study: An open case control study of an oral antioxidant and omega-3 supplement for dry AMD Francis E Cangemi* Address: Vitreo-Retinal Associates of New Jersey, 119 Prospect Street, Ridgewood, New Jersey 07450 USAEmail: Francis E Cangemi* - franciscangemi@aol.comReceived: 6 November 2006Accepted: 26 February 2007 BMC Ophthalmology 2007, 7 :3
Central centrifugal cicatricial alopecia (CCCA) Candrice R. Heath, MD, Caroline N. Robinson, BS and Roopal V. Kundu, MD Central centrifugal cicatricial alopecia (CCCA) is a very common cause of alopecia (hair loss) among African-American women. Hair loss from CCCA occurs primarily in the central (crown) part of the scalp. The hair loss radiates outward in a centrifugal or circular pat
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