Learning Chinese Painting Step By Step Lesson 3 The Way Of Using Ink The Shades Of Ink Ink when diluted with water, can be graded into many different shades. The ancients say " There are five shades of ink." The five shades refer to charred, very dark, dark, lightand very light. Of course there may be still many tonal variations in each shade.
Ink, when duly applied to absorbent paper, may look sear, soggy or wet by dexterously controlling the water content in the brush. Soak the brush with
water, lick the brush tip upon the brim of the water tumbler to let surplus again blot off excess moisture in the brush tip. Make the br
Use a clean saucer with some water. Stir your inky brush in it. Stir until the
wash is entirely smooth. Add a lit le ink or water as necessary to make the right ink color. Apply it to a fixed area in the painting. Each application may
differ in shade if it is required. Use quick strokes so that the wash will not
spread too much on the absordent paper. Try a few times and you will become
In using the ink, below are some of the basic techniques :
Variation of tones is usually acheived by the application of light ink, not
The beauty of ink painting lies in the mystery of this
gentle lightness when used appropriately.
2. Dark Ink Technique
Dark ink has been the easiest in expressing the essence of ink painting,
and for a sense of boldness and vigor that it can evoke.
3. Dry Ink Technique
The quality of the dry ink is the down right crisp, clear feeling that it can
The dry ink used, be it dark of light, must have very little water,
hence the brush is easy to open up, causing the lines dry and ' hairy'.
Such effect creates a sence of tenacity and prolonged energy.
4. Splash Ink Technique
Having the brush dipped for different tone of ink in great quantity,
and then paint freely as though in a splashing manner.
5. Broken-Ink Technique
Before the first application of ink dries,
add on different tone of ink to ' break-into ' the first layer of ink.
It is like wet-into-wet technique that the ink
on the paper can create endless variation.
Below are some of the techniques : Light into dark
Apply dark ink first, and light ink to break into it later.
Dark into light
Apply light ink first, and dark ink later
Water into ink Ink into water Color into ink Ink into color 6. Dip-in ink technique
When the brush is full of light ink, dip for a little bit of very dark ink from
a strong line with light tone following its two sides, or
This creates three dimensionlity and moisturised effect, a technique best
It is very effective when depicting branches, leaves, and petals.
7. Accumulation of ink techque
Various applications of different tones, either from light to dark, or from
But the previous tone must be dry before any new application.
Such accumulation-of-ink in many layers is mostly used for landscape
painting for clouds, mountains, sea etc.
It creates a good body on the painting that evokes weight and
http://www.reocities.com/SoHo/Gallery/9679/lesson3.html
HilverdaKooij 1430 AA Aalsmeer Holland T: +31 297 382038 F: +31 297 382020 E: info@hilverdakooij.nl I: www.hilverdakooij.nl LIMONIUM SINUATUM 'STATICE' Botanical family : Plumbaginaceae. genus: limonium species: sinuatum common name : 'statice' The great success of limonium and the increasing interest for limonium made HilverdaKooij decide to develop their o
Bitte erst vor der Spende ausdrucken und ausfüllen! Bitte lesen Sie zuerst das beigefügte Informationsblatt und füllen Sie erst am Tag der Blutspende den Frage- bogen (Folgeseiten) mit blauem oder schwarzem Kugelschreiber aus. Bei Unklarheiten rufen Sie uns bitte an. Zur sicheren Identifizierung bitten wir Sie, Ihr Geburtsdatum einzutragen: Nur bei Änderung Ihrer Personalien ausfÃ